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When Was It Made?
When Was It Made?
Historical Overview
Early Italian Ceramic Painting
The Earliest Transfer-Printing in England: Birmingham and Battersea
Overglaze Printing on English Porcelain: the beginnings
Printing on Vauxhall Porcelain
The Beginnings and Spread of Underglaze Blue Printing
Printing at Liverpool: 1 Delftware
Printing at Liverpool: 2 Porcelain
Printing at Liverpool: 3 Creamware
The Spread of Printing on Creamware
Multi-Color Printing in the 18th and 19th Centuries
Early Underglaze Blue Printing on Earthenware
Historical Timeline
Blue printed earthenware in the 19th century
Color printed and multi-color printed earthenware
What Did They Make?
What Did They Make?
Overglaze Printed Ware
Overglaze Printing on Porcelain 1750 - 1800
Overglaze Printing on Porcelain 1800 - 1900
Overglaze Printing on Earthenware and Stoneware 1750 - 1800
Overglaze Printing on Earthenware and Stoneware 1800 - 1900
Underglaze Printed Ware
Underglaze Printing on Porcelain 1750 - 1800
Underglaze Printing on Porcelain 1800 - 1900
Underglaze Printing in Single Color on Earthenware and Stoneware 1780 - 1820
Underglaze Printing in a Single Color on Earthenware and Stoneware 1820-1850
Underglaze Printing in a Single Color on Earthenware and Stoneware 1850-1900
Underglaze Printing in Multiple Colors
Victorian Tiles
Printed and Painted
Patterns
Series Patterns
How Was It Made?
How Was It Made?
Engraving
Glue Bat printing and other cold processes
Glue bat printing
Block printing
Lithographic Printing
James Poulton's account of glue bat printing
Thomas Battam’s description of bat printing, 1851
Hot Press Printing
Underglaze printing by hot press
Thomas Battam's Account of Hot Press Printing 1851
Single-Plate Multicolor Printing by Hot Press
Multiple-Plate Multicolor Printing by Hot Press
Cylinder Printing
Charles Dickens’ account of cylinder printing, 1852.
Cobalt for Blue-Printing
Flow Blue
Overglaze hot press printing with pigment
Overglaze hot press printing with oil
Brolliet's method of overglaze hot press printing with oil
English translation of Brolliet’s account
Brolliet’s statement in French as recorded by Hellot in 1759
Evidence for Brolliet’s Source
Pluck and Dust Overglaze Printing by Hot Press
Tissue Paper Manufacture
Comparing the processes
Printing and Painting: a glossary
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What Did They Make?
Philip Christian (Liverpool)
What Did They Make?
My Gallery & Notes
Philip Christian (Liverpool)
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